We are excited to introduce two more bloggers to the Kodály Corner! Meet Liza and Christopher!
1.) Tell us a little bit about yourself
My name is Liza Meyers and I
live in Floral Park, NY on Long Island with my husband, Brian, and Corgi pups
Louie, and Dexter. With a name like Liza, I was destined to be a Kodaly
teacher, right? I’m originally from Ohio, where hubby and I met in college at
Capital University, lived in Arizona for almost 12 years while we were both
working on grad degrees, and moved to NY 3 years ago for hubby’s first
university gig. He’s a Kodaly band guy…a rare breed. I love that we can go into
the city to see a Broadway show, go out to the wineries on the north fork, or
go to the beach. I could do without the snow and hurricanes, though. On those
days I miss the 112 degree Arizona heat!
When I started college I thought
I was going to be a band director (I was a trumpet player), but I was decidedly
ambivalent about the prospect. Luckily for me, I was first introduced to Kodaly
at Capital University and saved from a life of Friday night football games and
marching band (I love you, band director hubby). I remember having a Kodaly
epiphany after attending some CCKE workshops and thinking, “This is what I
should be doing.” I’ve been toting around a tuning fork since then.
2.) Where and what do you teach?
I currently teach K-2 music at Manhattan
Charter School 2 in, you guessed it, the Big Apple. I’m lucky enough to teach
at a school with a strong music emphasis, so all students have music every day
for 45 minutes to an hour. In the past I taught in a rural farming community in
northeast Ohio, and in two suburban school districts in the east valley in
Arizona.
3.) How long have you been teaching?
This is my 16th year
teaching music.
4.) Where did you do your Kodály levels?
We lived and taught in Northeast
Ohio after college, so I did my level I studies with Rita Klinger at Cleveland
State. We moved to Arizona for grad
school at ASU where I took level II with Rochelle Mann, and Level III at the
Kodaly Institute in Kecskemet, Hungary with Joan Litman as my American
Methodology teacher through Capital University. Many thanks to Dr. Mathias for
letting me tag along with the Ohio group.
5.) Which Kodály-inspired teacher has been the most inspiring to you?
I don’t think I can pick just
one person when so many people have been a part of my journey.
Sandy Mathias, Rita Klinger, Jo
Kirk, Sandy Stauffer. I admire not just their musicianship, but also their
intelligence, strength, and above all kindness. I take a little bit of each one
of them with me every day.
6.) What is your favorite Kodály levels memory?
My trip to Kecskemet was the
most memorable by far. I vividly remember sitting in solfa class attempting my
first dictation on the first day when my teacher, Katalin Szutrely, walks over,
puts her hand on my shoulder and says, “Liza, write…SOMETHING.” I had been
sitting as the Bach Cello Suite was being played over and over with a blank
stare and a slack jaw as thoughts like “Holy cow! Where do I even start?” ran
through my mind. Now I teach musicianship classes myself, and it all started in
Hungary. I’ve come a long way, baby. J
7.) What is your favorite teaching memory?
There are so
many, but one of my favorites happened recently when one of my autistic students,
after performing in a concert for the first time ever, ran over to me, put his
hands on my shoulders, shook me and gleefully screamed, “I love my school!!!”
Children have such a capacity for joy, and I’m happy that they share it with me
every day.
1.) Tell us a little bit about yourself
My
name is Christopher Roberts. I grew up
in Connecticut, but headed west to Seattle after college, and never looked
back. Before my first year of teaching, I registered for Kodály Level I here in
Seattle, and I got hooked on this Kodály thing in about three seconds. When my son was born ten years ago, I reduced
my teaching schedule to half-time, and made my way through the MA and PhD
program at the University of Washington, finishing up in 2012. In addition to spending
time with my family, I like to cook and exercise (a good combination!)
2.) Where and what
do you teach?
I
teach K-5 elementary music at St. Joseph School, here in Seattle. I also do
some substituting at University of Washington, teach in Kent State University’s
online Master’s Program in Music Education, and direct the Kodály Levels
Program of Seattle.
3.) How long have you been teaching?
17 years! It’s hard to believe it’s been that long!
17 years! It’s hard to believe it’s been that long!
4.) Where did you do your Kodály levels?
I took Levels I, II, and III at Seattle Pacific University, then went to the University of Calgary the next summer to get some additional training. Since I’ve been teaching in the Levels program in Seattle, I’ve tried to get to observe other programs, and have spent days visiting the programs at Portland State in Oregon, Holy Names University in Oakland, and St. Thomas in the Twin Cities.
I took Levels I, II, and III at Seattle Pacific University, then went to the University of Calgary the next summer to get some additional training. Since I’ve been teaching in the Levels program in Seattle, I’ve tried to get to observe other programs, and have spent days visiting the programs at Portland State in Oregon, Holy Names University in Oakland, and St. Thomas in the Twin Cities.
5.) Which Kodály-inspired teacher has been
the most inspiring to you?
Rita Klinger. Her concise, no-nonsense teaching style provided me with a structure to effectively teach concepts while making sure that each class was fun, filled with joyful music-making experiences.
Rita Klinger. Her concise, no-nonsense teaching style provided me with a structure to effectively teach concepts while making sure that each class was fun, filled with joyful music-making experiences.
6.) What is your favorite Kodály levels
memory?
Wow, that’s a hard one! I think my favorite memory from Levels is conducting in the final concert of Level III. Conducting was my weakest area when I was a Levels student (we all have something to work on, right?), so seeing my growth due to the work I put in was really satisfying.
Wow, that’s a hard one! I think my favorite memory from Levels is conducting in the final concert of Level III. Conducting was my weakest area when I was a Levels student (we all have something to work on, right?), so seeing my growth due to the work I put in was really satisfying.
7.) What is your favorite teaching memory?
I don’t think I have one favorite teaching memory. But, hands down, my favorite part of teaching
is working with a child who struggles, and seeing the pride on their face as
they figure out a concept or succeed at a challenging skill. Nothing beats that!
We are so excited to have Liza and Christopher join our collaborative blog! Liza will be posting a blog entry very soon, so stay tuned!
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